The Heresiarch

by Simon Whitechapel

Hieroglyph of the planet Mlaan

In tones of quivering, clanging severity the iron bells of the Temple of the Thorn-God rang the approach of execution. The Temple was built of red brick, commingled of blood and sand, and stood solid and malevolent in the deepening dusk. The bells rang in a peaked cupola on its roof built of resonant, gilded woods, and the three neophytes who toiled there, heaving slender strong yerking ropes, would leave the place stunned, with thin lines of blood shining on the skin beneath their ears, and sempiternally deaf. But: Death! the bells rang: Death! Death! Death!

Within the Temple, hooded and quiet in an Erebus of iron noise, waited the priests who would wield the knives, and the priests who would chaunt the death-dirge. The flat, rectangular altar on which the heresiarch was to lie had been polished and painted with black-iris’d eyes, wide and hateful and lidless. The bells pounded and shrieked and rolled and thundered and suddenly were silent.

The last light of day, pouring through the open doorway of the Temple, was cut and shadowed by the figures of three men: the High Priest, the Master of Hymns, and between them, the heresiarch. The first and latter were tall and hooded, the last stumbling and bowed and near naked, with merely a fold of white cloth around his loins. He was led forward. He babbled ceaselessly in a language invented by pain. All his hair was gone and his ears and eyes and nose had been burnt or sliced away in the tortures that had taken place. But the flesh of his body was unmarked.

The three came forward to stand before the altar. The Master of Hymns released the stern pinch of his fingers on the left shoulder of the heresiarch (who sagged, and would have fallen, but for the strong fingers of the High Priest at his right shoulder) and struck his hands lightly upwards, as though to say, Begin. A hymn of laudation was sung, the Epithanation, pale lips moving slowly and precisely in hooded shadow. As the last syllable of the hymn dissolved into silence, the sun had wholly gone, and through the wide doorway of the Temple there was visible on the western horizon the sharp white eye of the planet Mlaan, the Psychopomp, who conducts the souls of those who die in the hours of darkness from the warm surface of the earth to the chill whispering mists of Hell. By Mlaan’s light the heresiarch was lifted and laid, whimpering, on the surface of the altar. Five cords were strung over his body, taut and unbreakable, from five iron rings on one side of the altar to five iron rings on the other.

The Master of Hymns struck his palms skyward for a second time, but the signal went unnoticed in the gloom, and he was forced to clap lightly to initiate the singing of the death-dirge. On the commencement of the second verse, the silent priests who were to wield the knives filed forward to their places beside the altar, six on one side, six on the other. The third verse of the dirge began, and the knives came out, thin and faintly curved and sharp. Twelve cuts were made on the flesh of the heresiarch and twelve heads bent to suck on his blood. He moaned and writhed, and the High Priest, standing at his head, soothingly stroked the skin of his forehead and bent to whisper injunctions to calm in the bare, ragged holes of his ears. The dirge continued. Slowly the life of the heresiarch was drunken away.

When death came finally, yolk-tight, into the shell of his body, there was silence for a moment, and then from above came a faint thrilling of metal as his soul, winging upwards on the hatred of the painted eyes, passed through the roof of the Temple and stumbled among the iron bells in the cupola that lay directly above the altar. Hence it passed to the naked air of night, and fell under the eye of the planet Mlaan, and thereafter, shrieking in rage and fear and agony, was conducted from the earth to Hell.

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© 2004 Simon Whitechapel

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